03 September 2023

I’ve discovered Anthony Williams’ album Spring (1965), and I really like what’s on it. The music was surprisingly reminiscent of a Tyshawn Sorey concert given at the Musée du Quai Branly in the early 2010s, although his energy was arguably closer to Elvin Jones at that performance. The direction taken left me with the impression of witnessing a group of sculptors coming together to make something fine out of the rock in front of them. This album exudes freedom.

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